Matthew Hoch Scholarship
HOME           BIOGRAPHY          PERFORMING          TEACHING           CONDUCTING           SCHOLARSHIP            BOOKS
SCHEDULE           MULTIMEDIA          SERVICE         OUTREACH           AFFILIATIONS           CONTACT
Matthew Hoch



CONFERENCE PRESENTATIONS


“Vocal Terminology: Finding Common Ground and Synerg
between Choral Directors and Teachers of Singing”
Interest Session at the American Choral Directors Association Southern Division Convention
Chattanooga Convention Center, Chattanooga, TN, 2016

“Mechanisms of Fatigue Resistance: Application to Vocal Performance”
(with Mary Sandage, PhD, CCC-SLP)
Oral Presentation at the Pan-American Vocology Association (PAVA) Symposium
University of North Carolina at Greensboro, Greensboro, NC, 2015

“Incorporating Fatigue-Resistance Principles into Vocal Warm-Ups as a Means to Injury Prevention”
Oral Presentation at The Singing Network Symposium on Singing and Song
Memorial University of Newfoundland, St John’s, Newfoundland and Labrador, Canada, 2015

“The Need for a 21st Century Singing Dictionary: Why, What, and How” (with Jeannette LoVetri)
Oral Presentation at the Pan European Voice Conference (PEVOC)
Palazzo degli Affari – Firenze Fiera, Florence, Italy, 2015

“Looking at the Interface between Classical Singing and CCM: The Current Situation”
(with Jeannette LoVetri)
Poster Paper Presentation at the Pan European Voice Conference (PEVOC)
Palazzo degli Affari – Firenze Fiera, Florence, Italy, 2015

“Modern Episcopal Hymnody: The Hymnal 1982 in the 21st Century”
Sectional Presentation at the Hymn Society Annual Conference
Loyola University, New Orleans, LA, 2015

“Incorporating Fatigue-Resistance Principles into Vocal Warm-ups as a Means to Injury Prevention”
Workshop Presentation at the Voice Foundation Annual Symposium
Westin Hotel, Philadelphia, PA, 2015

“Applying Exercise Science Principles to Voice Pedagogy:
Skill Acquisition and Literature Selection” (with Mary Sandage, PhD, CCC-SLP)
Oral Presentation at the Voice Foundation Annual Symposium
Westin Hotel, Philadelphia, PA, 2015

“Vocal Health and Technique: Advice for Choral Directors”
Session at the Annual In-Service Convention: Alabama Music Educators Association (AMEA)
Montgomery Renaissance Hotel and Convention Center, Montgomery, AL, 2015

“Upper Airway Thermoregulation during Singing Warm-Up” (with Mary Sandage, PhD, CCC-SLP)
Poster Paper Presentation at the American Speech and Hearing Association Conference
Orange County Convention Center, Orlando, FL, 2014

“Acoustic Effects of Traditional Warm-Up Versus Semi-Occluded Warm-Up” (with Emily Duke, MS)
Poster Paper Presentation at the American Speech and Hearing Association Conference
Orange County Convention Center, Orlando, FL, 2014

“Relationship between Gap Detection Thresholds and Performance
on the Advanced Measures of Music Audiation Test” (with Judith Blumsack, PhD)
Poster Paper Presentation at the Acoustical Society of America Conference
Indianapolis Marriott Downtown, Indianapolis, IN, 2014

"Poulenc's Cycles for Bernac: Understanding the Baryton-Martin through an Analysis of Six Song Cycles"
Poster Paper Presentation at the National Association of Teachers of Singing (NATS) Conference
Marriott Copley Place, Boston, MA, 2014

“Self-Education for the Voice Professional: NYSTA’s Pioneering Online Learning for Voice Teachers”
Poster Presentation at the Voice Foundation Annual Symposium
Westin Hotel, Philadelphia, PA, 2014

“When Does Voice Warm-Up Become Endurance Training?” (with Mary Sandage, PhD, CCC-SLP)
Poster Presentation at the Voice Foundation Annual Symposium
Westin Hotel, Philadelphia, PA, 2014

“Auditioning Successfully with German and French Art Song Repertoire”
Classical Singer National Convention and College Expo
Westin Riverwalk Hotel, San Antonio, TX, 2014

“Community Engagement through Music”
Poster Paper Presentation for the 2014 Gulf-South Summit
Auburn University Hotel and Conference Center, Auburn, AL, 2014

“Poulenc's Cycles for Bernac: Understanding the Baryton Martin
Through an Analysis of Six Song Cycles"
Paper Presentation at the National Conference of the College Music Society  (CMS)
Hyatt Regency Hotel, Cambridge, MA, 2013

“Simon Sargon’s A Clear Midnight
Recital at the International Horn Symposium (44)
University of Memphis, Memphis, TN, 2013

“Self-Education for the Voice Professional: NYSTA’s Pioneering Online Learning for Voice Teachers”
Panel Presentation at the Eighth International Congress of Voice Teachers (ICVT 8)                        Queensland Conservatorium at Griffith University, Brisbane, Queensland, Australia, 2013

"The Structural and Dramatic Role of the Piano in Richard Strauss's Krämerspiegel, Op. 66”
Paper Presentation at the Eighth International Congress of Voice Teachers (ICVT 8)                        Queensland Conservatorium at Griffith University, Brisbane, Queensland, Australia, 2013

“Editorial Adventures in the Songs of Gabriel Fauré”
Performer at the Eighth International Congress of Voice Teachers (ICVT 8)
Queensland Conservatorium at Griffith University, Brisbane, Queensland, Australia, 2013

“Poulenc's Cycles for Bernac: Understanding the Baryton Martin
Through an Analysis of Six Song Cycles"
Poster Presentation at the Eighth International Congress of Voice Teachers (ICVT 8)                        Queensland Conservatorium at Griffith University, Brisbane, Queensland, Australia, 2013

“Self-Education for the Voice Professional: NYSTA’s Pioneering Online Learning for Voice Teachers”    Presentation at the Specialty Training in Vocal Health (STVH) Symposium
National Center for Voice and Speech (NCVS), Salt Lake City, UT, 2013

“Robert Schumann’s Myrthen, Op. 25”
Recital at the Hawaii International Conference on Arts and Humanities
Hilton Hawaiian Village Waikiki Beach Resort, Honolulu, HI, 2013

“The Structural and Dramatic Role of the Piano in Richard Strauss’s Krämerspiegel, Op. 66”
Poster Presentation at the Hawaii International Conference on Arts and Humanities
Hilton Hawaiian Village Waikiki Beach Resort, Honolulu, HI, 2013

“Vocal Technique for the Musical Theatre Singer”
 Session at the Southeastern Theatre Conference
 Chattanooga Convention Center, Chattanooga, TN, 2012

“Teaching Foreign Language Diction in the Voice Studio: Pedagogical Advice and Resources”
Session for the North Fulton Music Teachers Association
Steinway Piano Galleries, Alpharetta, GA, 2012

“Handel’s Messiah: An Overview of Its Performance History and the Origins of Its Texts”
Guest Lecture for Adult Forum
St Peter’s Episcopal Church, Rome, GA, 2011

“The Musical and Philosophical Connection: Strauss’s Krämerspiegel, Op. 66, and Capriccio,   Op. 85”
Poster Presentation at Annual Conference of the National Opera Association (NOA)
Westin Perimeter Hotel, Atlanta, GA, 2010

“Developmental Repertoire for the Studio Voice Teacher”
Session at the Annual Conference of the Georgia Music Teachers Association (GMTA)
Shorter College, Rome, GA, 2009

“Surviving the Tenure Process: Thoughts for Assistant Professors”
National Association of Teachers of Singing (NATS) Intern Program
Shorter College, Rome, GA, 2009

“A Healthy Belt Is Not an Oxymoron: Using Traditional Vocal Pedagogy to Teach Musical Theatre Styles”
 Session at the Annual In-Service Convention: Georgia Music Educators Association (GMEA)
Savannah International Trade and Convention Center, Savannah, GA, 2009

“The Structural and Dramatic Role of the Piano in Richard Strauss’s Krämerspiegel, Op. 66”
Session at the National Conference of the College Music Society
Atlanta Marriott Marquis Hotel, Atlanta, GA, 2008

“The College Voice Audition: A Round-Table Discussion”
Session at the Annual In-Service Convention: Georgia Music Educators Association (GMEA)
Savannah International Trade and Convention Center, Savannah, GA, 2008

“Repertoire Selection for the High School Singer: Tips for Success”
Session at the Georgia State Collegiate MENC Convention
Schwob School of Muisc, Columbus State Univeristy, Columbus, GA, 2007

“The Structural and Dramatic Role of the Piano in Richard Strauss’s Krämerspiegel, Op. 66”
The Second International Conference on the Arts in Society(virtual presentation)
University of Kassel, Kassel, Germany, 2007

“The Structural and Dramatic Role of the Piano in Richard Strauss’s Krämerspiegel, Op. 66”
New Vocal Educators Symposium (sponsored by the Indiana University SNATS Chapter)
Jacobs School of Music, Indiana University, Bloomington, IN, 2007

“The Structural and Dramatic Role of the Piano in Richard Strauss’s Krämerspiegel, Op. 66”
South-Central Regional Conference of the American Musicological Society (AMS)
Hugh Hodgson School of Music, University of Georgia, Athens, Georgia, 2007


© 2015 Matthew Hoch